Guitarist, Piedras Negras, Coahuila, Mexico, March 2001
As Garish: Roadside Polaroids goes through its final tweaks and polishing, as it goes to press in the Fall, I am pleased to announce work has begun on my next volume, Los Colores de Coahuila, my excursion through the cities and villages of the Mexican frontier state of Coahuila, along the Texas border.
Juan Torrescano, in his essay for the book, comments,
The tentative launch date for Los Colores de Coahuila is Spring 2012.Robert Jones declares he does not want to use his images as a "deep" philosophical vehicle, nor does he want to concentrate on historical subject matters, but his images speak precisely to these topics (but without the verbiage to get in the way of his imagery): The aged troubadour, who dexterously strums his lira to please his improvised clients, the popsicle vendor who tirelessly runs through the broken pavements and alleyways with the desire to exhaust his goods, the proud rancher who places his hopes in the next season's harvest -- not to mention the spotted furious cock ready to enter into battle. The colorful juggling street clown in full attire, the snapshot of the smiling family, and what about the fortezza vecchia of the National Emblem, the effigy of the Patron Virgin of Mexicans? The flower vendors who avidly conquer their lady with a beautiful bouquet, as well as the figures of San Martin De Porres, the elderly woman, the barber, and the emerging mysterious gardener, the fresh fruit vendor, the roses in the church atrium, as well as the tower, and the stained glass windows. Or the scenes of dogs and felines lounging in the sun, and the wide range of multicolored, stripped and weathered facades, doors, and windows. All this -- for the people of the border -- is a standing ovation. It gives integrity to a bland environment of brick walls without decoration, or older houses that speak only of their abandonment.